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Pyotr Ilyich Tchaikovsky's Symphony No. 3 in D major, Op. 29, was written in 1875. He began it at Vladimir Shilovsky's estate at Ussovo on 5 June and finished on 1 August at Verbovka. Dedicated to Shilovsky, the work is unique in Tchaikovsky's symphonic output in two ways: it is the only one of his seven symphonies (including the unnumbered ''Manfred Symphony'') in a major key (discounting the unfinished ); and it is the only one to contain five movements (an additional ''Alla tedesca'' movement occurs between the opening movement and the slow movement). The symphony was premiered in Moscow on 19 November 1875, under the baton of Nikolai Rubinstein, at the first concert of the Russian Music Society's season. It had its premiere on 24 January 1876, under Eduard Nápravník. Its first performance outside Russia was on 8 February 1879, at a concert of the New York Philharmonic Society. Its first performance in the United Kingdom was at the Crystal Palace in 1899, conducted by Sir August Manns, who seems to have been the first to refer to it as the "Polish Symphony", in reference to the recurring Polish dance rhythms prominent in the symphony's final movement. Several musicologists, including David Brown and Francis Maes, consider this name a faux pas. Western listeners, conditioned by Chopin's use of the polonaise as a symbol of Polish independence, interpreted Tchaikovsky's use of the same dance likewise; actually, in Tsarist Russia it was musical code for the Romanov dynasty and, by extension, Russian imperialism. The symphony was used by George Balanchine as the score for the ''Diamonds'' section of his full length 1967 ballet ''Jewels'', omitting the opening movement. ==Instrumentation== The work is scored for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani and strings. On the symphony's instrumentation, musicologist Francis Maes writes that here, Tchaikovsky's "feeling for the magic of sound is revealed for the first time" and likens the music's "sensual opulence" to the more varied and finely shaded timbres of the orchestral suites.〔 Wiley adds about this aspect, "Is the symphony a discourse or the play of sound? It revels in the moment."〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Symphony No. 3 (Tchaikovsky)」の詳細全文を読む スポンサード リンク
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